I am thrilled to be a returning special guest at Can*Con: The Conference on Canadian Content in Speculative Arts & Literature that will be taking place October 16–18 at the Brookstreet Hotel in Ottawa. The guests-of-honour will be tonia laird, Chuck Wendig, Jen Albert, and Hana El Niwairi.
New to this year’s Can*Con is the Blue Pencil Café which is an opportunity for emerging writers to get feedback on a sample of their work-in-progress from an established writer or editor. I am pleased to be one of the readers for the inaugural Blue Pencil Café with Hayden Trenholm and Madeline Vigneron. You can sign up for a Blue Pencil Café session here.
I am also excited to be a participant in biologist and author Julie Czerneda’s “Alien by Design” master class and I look forward to learning how to design scientifically accurate extraterrestrials. Sienna Tristen and Avi Silver will be giving a master class on building languages for SFF worlds, and Tonya Liburd will be giving a master class on editing. You can sign up for master classes here.
Here is my programming schedule:
Author Signings
Friday, October 16, 7:30pm‑8:00pm
Newbridge Room (near the Bakka-Phoenix Books table)
Eric Choi, Rebecca Hirsch Garcia, Cat Rector, A.D. Sui, Maaja Wentz
Blue Pencil Café with Eric Choi
Saturday, October 17, 11:30am-12:20pm
Mulligan Room (1st Floor)
Classic or Merely Old?
Saturday, October 17, 7:00pm‑7:50pm
Traders Room (2nd Floor)
Some vintage SFFH like Dune, Wizards of Earthsea, and Frankenstein are considered classics of the Anglophone SFFH world, worth remembering and studying even now. Others have been forgotten and more are still considered despite their flaws (e.g. the racism and xenophobia present in H.P. Lovecraft’s works). What are the influences that determine which works get remembered and which do not? How do we engage with the global Anglophone foundations of genre while also being mindful of social and cultural changes? How do we navigate inclusions, deletions, and qualifications to those foundations?
Cathy Hird, Marissa Lingen, Derek Künsken, Eric Choi (moderator)
Putting the “Science” in Science Fiction (Or at Least Faking It)
Sunday, October 18, 1:00pm‑1:50pm
Deciders Room (3rd Floor)
It has been said that science fiction is no more written for scientists than ghost stories are written for ghosts and yet “hard” science fiction where close attention is paid to known facts and theories remains popular. How does one craft a compelling narrative around such limitations? How can real world science aid creativity? Where do you start if you are not a scientist? And if you do feel like incorporating blatant pseudoscience into your story, how do you make it sound “scientific”?
Eric Choi, Annalee Newitz, Mark Robinson, N.R.M. Roshak (moderator)









