I am thrilled to be a returning special guest at Can*Con: Conference on Canadian Content in Speculative Arts & Literature that will be taking place October 16–18 at the Brookstreet Hotel in Ottawa. The guests-of-honour will be tonia laird, Chuck Wendig, Jen Albert, and Hana El Niwairi.
New to this year’s Can*Con is the Blue Pencil Café which is an opportunity for emerging writers to get feedback on a sample of their work-in-progress from an established writer or editor. I am pleased to be one of the readers for the inaugural Blue Pencil Café with Hayden Trenholm and Madeline Vigneron. You can sign up for a Blue Pencil Café session here.
I am also excited to be a participant in biologist and author Julie Czerneda’s “Alien by Design” master class and I look forward to learning how to design scientifically accurate extraterrestrials. Sienna Tristen and Avi Silver will be giving a master class on building languages for SFF worlds, and Tonya Liburd will be giving a master class on editing. You can sign up for master classes here.
Here is my programming schedule:
Author Signings
Friday, October 16, 7:30 — 8:00 PM
Newbridge Room (near the Bakka-Phoenix Books table)
With Eric Choi, Rebecca Hirsch Garcia, Cat Rector, A.D. Sui, Maaja Wentz
Blue Pencil Café with Eric Choi (sign-up required)
Saturday, October 17, 11:30 AM — 12:20 PM
Mulligan Room (1st Floor)
Classic or Merely Old?
Saturday, October 17, 7:00 — 7:50 PM
Traders Room (2nd Floor)
Some vintage SFFH like Dune, Wizards of Earthsea, and Frankenstein are considered classics of the Anglophone SFFH world, worth remembering and studying even now. Others have been forgotten, and more are still celebrated despite their flaws (e.g. the racism and xenophobia in H.P. Lovecraft’s works). What determines which works get remembered? How do we engage with the genre’s Anglophone foundations while staying mindful of social and cultural change?
Cathy Hird, Marissa Lingen, Derek Künsken, Eric Choi (moderator)
Putting the “Science” in Science Fiction
Sunday, October 18, 1:00 — 1:50 PM
Deciders Room (3rd Floor)
It has been said that science fiction is no more written for scientists than ghost stories are written for ghosts, yet “hard” SF remains popular. How does one craft a compelling narrative around real-world limitations? How can science aid creativity? Where do you start if you’re not a scientist? And if you want to sneak in some pseudoscience, how do you make it sound convincing?
Eric Choi, Annalee Newitz, Mark Robinson, N.R.M. Roshak (moderator)









